SOLO EXHIBITIONS 2009 A.M. Richard Fine Art, Brooklyn, New York 2001 Art Resources Transfer, Inc., New York City “Large Drawing With Ornamentation” 1993 Jose Freire Fine Art, New York City 1991 fiction/nonfiction, New York City 1989 fiction/nonfiction, New York City 1988 fiction/nonfiction, New York City GROUP EXHIBITIONS 2000 Cheryl Pelavin Fine Art, New York City, “Linda Daniels and Tamara Gonzales, a few of my favorite things” Schmidt Contemporary Art of Los Angeles, Lemon Sky: a project space, Los Angeles, “Paintland” 1999 Qualita Fine Art, Las Vegas, “Summer Pleasures” 1996 Murray Feldman Gallery, Los Angeles, “Strappy Sandals and Skinny Belts, the Hyper Feminine in Painting” 1995 The Victoria Room, San Francisco, “Strappy Sandals and Skinny Belts, the Hyper Feminine in Painting” Here, New York City, “The Joy of Painting” The Work Space, New York City, “Pleasant Pebble” 1994 Jose Freire Fine Art, New York City, “Hunk” Sue Spaid Fine Art, Los Angeles, “Sourball” 1992 Asher-Faure Gallery, Los Angeles, “Bedroom Pictures”, (catalogue with essay by Terry R. Myers) Amy Lipton, New York City, “There Is A Light That Never Goes Out” 1991 fiction/nonfiction, New York City, Gallery Group Exhibition 1990 Coup de Grace Gallery, New York City, “Building Beliefs: Paintings by Linda Daniels, Marilyn Lerner and Linda Swanson” fiction/nonfiction, New York City, Gallery Selections 1989 fiction/nonfiction, New York City, Invitational with Gallery Artists 1988 fiction/nonfiction, New York City, “Split Plane” 1987 fiction/nonfiction, New York City, “Linda Daniels, Robert Feintuch and Stephen Westfall” John Good Gallery, New York City, “Rigor” 1985 alternative space, New York City, “The Non-Objective World” 1984 Lafayette and Muhlenberg Colleges, Pennsylvania, “Small Works: New Abstract Painting”, (catalogue with essays by William Zimmer and Barbara Zabel) 1983 Municipal Art Gallery, Los Angeles, “Newcomers 1983” Open Space Gallery Victoria, British Columbia, Canada, “Of This Time, Of That Place” 1982 alternative space, San Francisco, California, Santa Barbara Artists (under the auspices of the San Francisco Museum of Modern Art) University Art Museum, Santa Barbara, California, “The Santa Barbara Show” BIBLIOGRAPHY 2009 Joe Fyfe, "Linda Daniels", Pic of the Day, artcritical.com, May 23, 2009 2000 Ken Johnson, “Linda Daniels and Tamara Gonzales, A Few of My Favorite Things”, The New York Times, August 11, p. E35 1993 Borum, Jenifer P., “Linda Daniels”, Artforum International, October, p. 94 (with illustration) Myers, Terry R., “Linda Daniels”, La Piz International Art Magazine, May, p. 28 (with illustration) Pagel, David, “Painting’s Make-Up”, essay for the exhibition at Jose Freire Fine Art, New York City, February Iannaccone, Carmine, “Review of Bedroom Pictures”, Art issues, January/February, p. 42 1992 Pagel, David, “Review of Bedroom Pictures”, The Los Angeles Times, November 19, p. F-6 Myers, Terry R., “Who’s Been Sleeping in My Bedroom Pictures?”, catalogue essay for the exhibition at Asher-Faure, Los Angeles, October (with illustration) Mahoney, Robert, “Review of There Is A Light That Never Goes Out”, Arts Magazine, April, p. 91 1991 Kaneda, Shirley, “Painting and Its Others: In the Realm of The Feminine”, Arts Magazine, Summer, pp. 58-64v Tager, Alisa, “Colors”, La Piz International Art Magazine, Number 80, pp. 62-65 1990 Cyphers, Peggy, “Linda Daniels”, Arts Magazine, February, pp. 99-100 Myers, Terry R., “Linda Daniels”, Tema Celeste, January-February, pp. 68-69 (with illustration) 1988 Westfall, Stephen, “Linda Daniels”, Art in America, June, pp. 164-65 (with illustration) Reid, Calvin, “Linda Daniels”, 108: A Review, January-February, p. 3 1984 Zimmer, William, "can small works carry it off", catalogue essay for the exhibition "Small Works: New Abstract Painting", Lafayette and Muhlenberg Colleges, Pennsylvania (with illustration) 1983 Muchnic, Suzanne, “Promising ‘Newcomers’ at Muni”, The Los Angeles Times, July 31, p. 80- 81 Donahue, Marlene, “A Diverse Group”, Artweek, 13, p. 5 1981 McDonald, Robert, “Marcia Tucker Selects”, Artweek, July 20, p. 16 Wilson, William, “New Wave Gets Its Foot On The Shore”, The Los Angeles Times, July 12, p. 80-81 EDUCATION 1975 B.F.A., California College of the Arts, Oakland GRANTS 1991 The National Endowment for the Arts, Fellowship in Painting